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By Carly Stern For Dailymail. Published: GMT, 2 October ated: GMT, October Like many conservative religious sects, the Orthodox Jewish community prizes modesty, especially among its women - which is why it's so surprising that more and more of these women are willing to strip down on camera. The New York Post reports that boudoir shoots - a trend that sees women taking sexy, revealing photos, often in nighties and lingerie - are becoming increasingly popular among Orthodox Jews, with even some bubbes - or grandmothers - taking part. Lea, 0, a New York City-based photographer who is also an Orthodox Jew, said that these types of shoots done for members of Flatbush, Brooklyn's Hasidic community now make up about 5 per cent of her business. Makin' them schvitz: Lea not pictured is an Orthodox Jewish photographer from New York who said that boudoir shoots among the Hasidic community now make up about 5 per cent of her business. Modest ladies: Most Orthodox Jewish women cover their legs, arms, and even hair - using a wig called a sheitel or a hat.

He was short, smart, and savvy, and spent his childhood observing his father, who owned a liquor store, attempting to avoid selling booze to kids with fake IDs, while the cops indiscriminately chose when to prosecute and when to look the other way.

He received a B. from UC Santa Barbara and a J. from University of Chicago, passing the California bar in Simpson trial.

Inhe became the executive producer of Celebrity Justicebut the show only aired for three years. Levin was intelligent, but more importantly, he was telegenic, with the smooth talk of the most practiced lawyer and the charisma of a television star. InExtra had already been on the air for more than a decade, amassing a trove of old footage of celebrities, all ready to be recycled and exploited on the ap.

Jewish food is delicious when done right and, Jewish girls love their mothers. Mothers are their families. Families are really important to Jewish people, they just are. 5 Let's talk about what Raquel has meant to TMZ over the years. She rose to fame thanks to her strong personality and direct reporting style. Eventually, because she was so well-liked, she was able to turn her web series, Raq Rants, into its own TV show in BET, which she hosts Today, TMZ is still second to ET - and regularly battles for the second place spot with Inside Edition - but remains, according to Broadcasting

Which is exactly what Paratore would have Levin do. But the two companies had very different corporate climates, and struggled to foster the originally imagined cross-platform synergies.

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According to Jim Bankoff, then president of AOL and current CEO of Vox MediaBankoff hit it off with Paratore at a meeting between AOL and Warner Bros. executives designed to kindle increased collaboration. Paratore regaled him with stories of thousands of hours of unused Extra footage - the perfect candidate for an AOL collaboration.

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Multiple sources confirm that even today, he still uses an AOL email address, and all tweets from his Twitter account are automatically generated. Plus, following the historic summer ofgossip was percolating at an alarming rate.

Constantly ated, dynamic, with a strong authorial voice; snarky, immediate, and originating outside the carefully cultivated celebrity sphere.

These bloggers were defined by their outsider status - and their very lack of access - but that outsider status and lack of capital also proved problematic. Hilton, for example, was sued multiple times - more than once for copyright infringement. What these bloggers lacked was infrastructure and capital to expand and bolster their operations, all while keeping the same all-important outsider ethic. Which is precisely what an operation housed at Telepictures, with the larger launching pad of AOL which, instill boasted an amplifying power of 22 million subscriberscould achieve.

Levin and Paratore brought along some staff from Celebrity Justice and Extraincluding eventual TMZ personalities Mike Walters, whose father was an assistant sheriff in Orange County, and Evan Rosenblum.

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Rosenblum is son of former Warner Bros. The official staff eventually numbered a grand total of seven. The name needed to be catchy, different, and, most importantly, short, so as to better facilitate views via the burgeoning mobile market. The only problem? The URL was already taken by an electronics company that went by the name of Team Minus Zero. The guy jumped at the offer, but Levin, according to a source, also knew that if he showed up with the cash in his Pors, the URL owner would immediately up the asking price.

The URL - and the brand - was theirs. On Nov. It was a splashy debut, bearing the hallmarks video footage, celebrity shaming, prodding the Los Angeles Police Department that would make TMZ famous - even if no one knew what TMZ meant. But it was a start. The aesthetics that would go on to define the site are visible even then, albeit in slightly altered form: At first, yellow was the contrast color of choice, and would gradually transition to red, white, and black.

The sme like both The Smoking Gun and the Drudge Report is the inverse of pastel-bathed PerezD-Liste and Just Jare as well as the cover smes of People and Us Weekly. In these ways, TMZ bore a resemblance to another ideologically disruptive publication: Confidential magazine, which, over the course of the s, exploited and amplified the anxieties of an American society very much in transition.

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No reputable company would advertise in it. But byit broke the record for single-issue sales, selling. Confidential succeeded because it offered something novel, dirty, and unspeakably sexy: the truth, or at least some rhapsodic version thereof.

Dozens of publications were reporting on those topics, but Confidential pressed each hot button vis-a-vis Hollywood stars, politicians, and socialites.

And it was able to - at least in the case of the most prominent and visible subjects - because of a significant change in the way that Hollywood managed its stars and their behavior. In the s, a series of star-related scandals threatened to expose the industry to government-imposed censorship; to avoid that fate, the studios and the press that covered them agreed to a symbiotic relationship in which one would provide a constant stream of material about the stars and advertising dollars in exchange for the implicit understanding that the magazines would not print anything that contradicted the studio line of stars as moral exemplars.

What happened in the s, then, and what Confidential was able to exploit, was a disintegration of that system.

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The government-issued Paramount Decrees of forced the studios to divest themselves of their theater chains, effectively cutting off one of the major sources of income at the same time that the suburbs and television dramatically decreased the movie-going audience. The studios began to downsize, severely cutting the number of stars on contract.

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Many quickly co-opted agents and press agents to perform the image and career maintenance previously performed by the studios, but the system of image management was in flux and primed for a magazine to come and exploit its vulnerability. The aesthetic was all primary colors - bold, in-your-face - the exact opposite of the genteel, appealing aesthetic of the fan magazines to which he offered such a clear alternative in style, tone, and purpose.

Which is all to say that TMZ has precedent and, more important, its tactics are nothing new.

Harvey Levin's right-hand man Mike Walters quit TMZ after the two very nearly came to blows in front of the newsroom shortly before Christmas,

Harrison and Levin both developed a publication around their personalities and attempted to imprint their sensibilities as broadly as possible. Both were incredibly savvy about the law and the way to wield it in their favor; both relied heavily on the seemingly human impulse to trade secrets for money; both understood that secrets about race and sexuality, especially female sexuality, are the most effective ways to draw an audience.

He wanted tip-offs from them. A tit for a tat; a secret kept for a secret told. It was dubious moral algebra, but it was ruthlessly effective and presaged the way TMZ has maintained power.

The stars were contained, they went wild, and then they were contained again - until, that is, the internet and digital technologies sprung leaks in the once air-tight system of image management. All of which was beginning to percolate in - both on the various independent gossip blogs and the nascent form of TMZ, which was beginning, ever so gradually, to develop a voice.

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According to a source, when TMZ ran a Beyonce story and Mathew Knowles called to get it taken down, it blew him off. When Knowles then called AOL, it also blew him off. And unlike other gossip organizations, whose content was predicated on future access to Beyonce, it could afford to do so.

According to multiple sources, the only coverage TMZ steered clear of was anyone, like Ellen DeGeneres, involved in Telepictures productions; other Time Warner properties were, however, fair game. TMZ had the freedom of an independent operation, the savvy of decades of investigative reporting, the connections of more than 20 years in the Los Angeles court system, and the backing of a major conglomerate.

Because this was all before July 28,when Mel Gibson was pulled over in the early morning hours for driving under the influence. As former staffers recalled, at 11 a. Gibson's booking photo after being pulled over in the early morning hours for driving under the influence on July 28, Four years later, RadarOnline ran damning audio of him seething about wanting "Jew blood on my hands" - essentially scooping TMZ on threats purportedly directed toward Levin and snuffing out a potential comeback.

It was because the police attempted to cover it up.

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According to several of his staffers at the time, Levin was driven to tirelessly pursue these scoops by a desire to dismantle the unspoken but elaborate system that exempted the high-powered and beautiful of Hollywood from the rules to which the rest of the world were held. Levin had spent nearly 0 years observing the system - cops, judges, prosecutors, juries - allow the beautiful, wealthy, and powerful to misbehave, sometimes with total impunity.

TMZ was his opportunity to right those wrongs.

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And it does, in some ways more superficial than others, remain the guiding ethos of the TMZ operation today. There were subsequent scoops, but the site had to run content all day, every day.

Over the course of the fall ofreader preferences measured via clicks helped hone the pointy, aggressive tone that characterizes the site today. The more vanilla, People -esque coverage of celebrity goings-on began to disappear. In its place: exclamation marks, puns, and dirty jokes. If before, TMZ had adopted the flat, journalistic tone of The Smoking Gunthen, over the course ofit adopted the tone of a tabloid - especially when covering its own exclusives.

A sampling of headlines: From Oct. That voice coalesced via multiple channels. Headlines began to feature more puns, exclamation marks, and innuendo; content became incrementally harsher, meaner, crueler.

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Boudoir shoots have grown in popularity, but they are seldom associated with conservative religious communities. Lately, though, Orthodox Jewish women have been posing for these sexy pictures Kellyanne Conway and her teenager, Claudia, finally seem able to get along for once - turns out, all they needed was a little music and an audience, of A Former TMZ Employee Said She Was Fired After Complaining About A Sexist, Toxic Work Environment "I want the culture to change. I don't want anyone to leave that office and cry and feel like they're worthless," Bernadette Zilio told BuzzFeed News

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